Shearsman NEWS
Strange times
- By Tony Frazer
- •
- 24 Mar, 2020
This blog rarely gets used, but in strange times, all avenues of communication need to be employed. The book above, Molly Vogel's Florilegium
has just appeared, albeit not at the most auspicious time, especially for a first collection. Would all customers and interested parties please note that we are still able to supply books at present, and will do so as long as the post offices are open — although our local one was closed yesterday, it must be said. We do have other options not too far away, however, and the usual online suspects (plus some enterprising indie stores) are doing their best to keep supply lines open. As long as Royal Mail, and the courier services, are functioning (fingers crossed...) we will try to keep supplying books but, in line with official guidance, we will keep trips out to a minimum.
For anyone trying to find our titles on amazon.com, there is a major problem at the moment — one we're trying to solve — but amazon.co.uk is fine. For the time being, US buyers are recommended to use SPD for any titles by US and Latin American authors, and Barnes and Noble online for the whole list.
Unless things change again, we expect to be able to send out Shearsman magazine in April, as our printer seems still be able to deliver to us. We're not sure how international mail will be affected at this stage, but there may well be a problem with some destinations.
Stay well, everyone.
For anyone trying to find our titles on amazon.com, there is a major problem at the moment — one we're trying to solve — but amazon.co.uk is fine. For the time being, US buyers are recommended to use SPD for any titles by US and Latin American authors, and Barnes and Noble online for the whole list.
Unless things change again, we expect to be able to send out Shearsman magazine in April, as our printer seems still be able to deliver to us. We're not sure how international mail will be affected at this stage, but there may well be a problem with some destinations.
Stay well, everyone.
This is our second time at the LSBZF, and this time in a larger and more accessible venue, in Conway Hall, Bloomsbury. Given our large Spanish and Latin American list, the majority of which is bilingual, we fit right in. Come and see us there.
These titles have been in preparation for what seems like a long time, but, finally, I'm confident enough to announce that Adverse Winds
(Vientos contrarios, 1926) will appear in September 2023; Satyr, or The Power of Words
(Sátiro, o el poder de palabras, 1939) will appear in October 2023; and, Seeing and Touching
(Ver y palpar, 1941) will at long last appear in November. The first two are already with the printer, and I'm sure the final volume will get there in time for publication in November.
These books have taken a long time to come to fruition, Adverse Winds being some 2 years late, and Seeing and Touching perhaps 18 months late. They've been tough to get right (or right enough ). I was unsure about publishing Satyr in this series at all, until I realised that my version was quite presentable, and that the book's links to the rest of the author's work made it a good thing to include. I've played around with translations of some of the other prose volumes by Huidobro, especially Papa, o el diario de Alicia Mir (1934), but that has so far resisted completion and is of more biographical, than literary interest.
With these three volumes almost ready to face the world, I will be returning to try to complete work on Last Poems (1948), which contains some very important poems. I'm adding the author's final interview to that volume too. I'd like to get the Painted Poems out in 2024 also, but it depends on whether I can obtain some extra images, and, crucially, permissions. A version of the book already exists, but I would like it to be more comprehensive. The final volume currently in the draft stage—and it's at a very early stage—is the Uncollected Poems , mopping up all the author's occasional and political verses. I've tended to work on these books concurrently, moving onto another when I get too bogged down with one of them. I find that time away, and engagement with other works by the same author, helps the process.
The keen observer of this series will note that Altazor has not been included—by common consent the author's magnum opus. That's because it has defeated me completely. Well, about 8 pages of it have defeated me, and there's no solution in sight. I may see if someone else can take it on, but, in any event, Eliot Weinberger's magisterial version is already available from Wesleyan University Press, and WUP seems disposed to keeping it print.
Tony Frazer
These books have taken a long time to come to fruition, Adverse Winds being some 2 years late, and Seeing and Touching perhaps 18 months late. They've been tough to get right (or right enough ). I was unsure about publishing Satyr in this series at all, until I realised that my version was quite presentable, and that the book's links to the rest of the author's work made it a good thing to include. I've played around with translations of some of the other prose volumes by Huidobro, especially Papa, o el diario de Alicia Mir (1934), but that has so far resisted completion and is of more biographical, than literary interest.
With these three volumes almost ready to face the world, I will be returning to try to complete work on Last Poems (1948), which contains some very important poems. I'm adding the author's final interview to that volume too. I'd like to get the Painted Poems out in 2024 also, but it depends on whether I can obtain some extra images, and, crucially, permissions. A version of the book already exists, but I would like it to be more comprehensive. The final volume currently in the draft stage—and it's at a very early stage—is the Uncollected Poems , mopping up all the author's occasional and political verses. I've tended to work on these books concurrently, moving onto another when I get too bogged down with one of them. I find that time away, and engagement with other works by the same author, helps the process.
The keen observer of this series will note that Altazor has not been included—by common consent the author's magnum opus. That's because it has defeated me completely. Well, about 8 pages of it have defeated me, and there's no solution in sight. I may see if someone else can take it on, but, in any event, Eliot Weinberger's magisterial version is already available from Wesleyan University Press, and WUP seems disposed to keeping it print.
Tony Frazer
The next Shearsman reading features David Herd and Will Stone, and takes place on Tuesday 14 June, 7:30pm, at Swedenborg Hall, Bloomsbury, London. (The Hall entrance is on Barter Street, just behind the Swedenborg Society shop.)
David is launching his new collection, Walk Song , and we also catch up with Will Stone, reading from The Slowing Ride , which appeared during one of the lockdowns.
Admission free.
David is launching his new collection, Walk Song , and we also catch up with Will Stone, reading from The Slowing Ride , which appeared during one of the lockdowns.
Admission free.
The dates for the Shearsman reading series at Swedenborg Hall for the period October 2019 to May 2020 have now been settled. Please put these in your diary and, regular attendees , please note that some of these are on a WEDNESDAY instead of a Tuesday. All start at 7:30pm.
Wed 9 October 2019
Tues 12 November 2019
Tues 14 January 2020
Tues 11 February 2020
Wed 11 March 2020
Tues 14 April 2020
Wed 13 May 2020
At last week's Frankfurt Book Fair, the Chilean stand was full of pictures of Huidobro, in honour of the passage of 70 years since his death in 1948.