". . . there is that second strand, the fitful, halting strand of Irish modernism, a bare technique, picked up by Beckett and carried through by writers such as . . . neo-Classicist poet, Fergal Gaynor. James Joyce would have recognised these contemporary writers instantly, knowing that their modernist efforts to escape from the story-teller material of Ireland should lead to new forms . . ." (Thomas McCarthy, Irish Examiner)

"Few poets have cast a colder eye on the inevitability of decline, without surrendering to it: 'The sclerotic being dismantled, / a fine automaton springs downtrack.'" — Keith Tuma

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