Paperback, 112pp, 8.5x5.5ins
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Translated from Chinese by Jonathan Waley
The Tang dynasty (618–907 AD), is celebrated as the greatest moment in Chinese poetry, a time when poetry was highly rated, and some of China's most famous poets were writing. Du Fu (712–770 AD) is widely regarded as the greatest of these. He himself wrote that he aimed to startle his readers, and in some of his more avant-garde poems he combines and contrasts images in a way that almost has a modernist feel to it. On the other hand, he also enjoyed and celebrated the simple pleasures in life, and his (apparently) lighter poems about friendship and his natural surroundings show this clearly.
The rebellion which devastated the lives of ordinary people and nearly toppled the Tang dynasty is present in many of these poems. Du Fu faces up to this crisis by probing the wounds of his age in painful detail. At the same time, we experience his own sufferings, such as famine and family bereavement, as well as his disabling sense of uselessness, as he came to realise he would never gain high office and so influence events.
It is this huge variety in topic and texture that have made Du Fu's poetry so popular in China over the last thirteen hundred years.
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