Barry Hill’s tenth book of poetry selects from his Naked Clay: Drawing from Lucian Freud, which was shortlisted for the Forward Prize, 2013, and described by John Kinsella as a ‘masterpiece’; Grass Hut Work (2016), his excursion into Hiroshima and Japanese poetry, which Sam Hamill said was ‘beautiful and quietly powerful’; Lines for Birds (2009), his collaboration with the painter John Wolseley, which was acclaimed by Nathaniel Tarn as ‘a miraculous gift of a book’; The Inland Sea (2001), which David Malouf described as ‘a mixture of intense contemplation and powerful eroticism’; Ghosting William Buckley (1993), deemed by Barrett Reid a ‘major work’ of ‘stories, thought and music’ from the encounter of a ‘wild white man’ and the indigenous people of the Australian frontier. This Selected also includes recent poetry—lyrical, political and in memoriam.

‘…a superb poet…’
—Sebastian Smee

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